
The White Countess
Directed by James Ivory
Produced by Shanghai Film Group, Merchant Ivory Productions
A melancholic romance set amid the decay of 1930s Shanghai, where a blind American diplomat and an exiled Russian countess create an intimate refuge against the encroaching darkness of war and displacement.
In 1930s Shanghai, 'The White Countess' is both Sofia, a fallen member of the exiled Russian aristocracy, and a nightclub created by a blind American diplomat who asks Sofia to be the centerpiece of the world he wants to create.
Clusters
Questions people ask
Is The White Countess sad? Yes, very. More sad than 91% of films.
Is The White Countess easy watching? Somewhat. More comforting than 60% of films.
Is The White Countess violent? About average. Almost exactly mid-range.
Does The White Countess end with hope? About average. Almost exactly mid-range.
Is The White Countess scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble











Like The White Countess
Nearest across the full emotional profile.
Same Mood as The White Countess
Nearest on what's most distinctive about this one.
Like The White Countess, But Darker
Similar, pushed toward heavier and more intense.
Like The White Countess, But Lighter
Similar, pushed toward warmer and easier.
Like The White Countess, But Less Popular
Same territory, far fewer people have seen it.

















































