
Thirteen at Dinner
Directed by Lou Antonio
Produced by Warner Bros. Television, CBS Entertainment Productions
A classic whodunit centered on Hercule Poirot methodically unraveling a high-society murder through logic and deduction.
Actress Jane Wilkinson wants a divorce, but her husband, Lord Edgware, refuses. She convinces Hercule Poirot to use his famed tact and logic to make her case. Lord Edgware turns up murdered, a well-placed knife wound at the base of his neck. It will take the precise Poirot to sort out the lies from the alibis - and find the criminal before another victim dies.
Questions people ask
Is Thirteen at Dinner sad? Not especially. Less sad than 67% of films.
Is Thirteen at Dinner easy watching? Somewhat. More comforting than 62% of films.
Does Thirteen at Dinner end with hope? About average. Almost exactly mid-range.
Is Thirteen at Dinner violent? About average. Almost exactly mid-range.
Is Thirteen at Dinner scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Like Thirteen at Dinner
Nearest across the full emotional profile.
Same Mood as Thirteen at Dinner
Nearest on what's most distinctive about this one.
Like Thirteen at Dinner, But Darker
Similar, pushed toward heavier and more intense.
Like Thirteen at Dinner, But Lighter
Similar, pushed toward warmer and easier.
Like Thirteen at Dinner, But Less Popular
Same territory, far fewer people have seen it.

















































