
Appointment with Death
An invitation to murder!
Directed by Michael Winner
Produced by GG Studio, Golan-Globus Productions
A classic murder mystery centered on a domineering matriarch's death, driven by blackmail and family secrets uncovered through detective investigation.
Emily Boynton, the stepmother to three children, blackmails the family lawyer into destroying a second will of her late husband that would have freed the children from her dominating influence. She takes herself, the children, and her daughter-in-law on holiday to Europe and the Holy Land. At a dig, Emily is found dead and Hercule Poirot investigates.
Clusters
Questions people ask
Does Appointment with Death end with hope? Not especially. Less hopeful than 64% of films.
Is Appointment with Death sad? About average. Almost exactly mid-range.
Is Appointment with Death violent? About average. Almost exactly mid-range.
Is Appointment with Death scary? About average. Almost exactly mid-range.
Is Appointment with Death easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble










Like Appointment with Death
Nearest across the full emotional profile.
Same Mood as Appointment with Death
Nearest on what's most distinctive about this one.
Like Appointment with Death, But Darker
Similar, pushed toward heavier and more intense.
Like Appointment with Death, But Lighter
Similar, pushed toward warmer and easier.
Like Appointment with Death, But Less Popular
Same territory, far fewer people have seen it.

















































