Is We All Fall Down scary?

Barely. Less frightening than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is We All Fall Down violent?

Barely. Less violent than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is We All Fall Down sad?

Yes. More sad than 75% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does We All Fall Down end with hope?

Not especially. Less hopeful than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is We All Fall Down easy watching?

Somewhat. More comforting than 60% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

We All Fall Down

Name: We All Fall Down
Genre: Comedy
Released: 1997
Duration: 87 min
Rating: 6.6
Cast: Valerio Mastandrea, Carlo Monni, Adriana Rinaldi, Caterina Caselli, Alessandro Partexano

Directed by Davide Ferrario

Produced by Hera International Film, Minerva Pictures

199787 min6.6 / 10

A wry, introspective comedy about a directionless Gen-X philosophy student adrift in late-90s Turin, balancing family obligations with existential uncertainty and coming-of-age restlessness.

Having just moved back in with his working-class parents, twentysomething on-and-off philosophy undergrad Walter navigates turn-of-the-millennium Turin and Gen-X ennui.

Questions people ask

Is We All Fall Down scary? Barely. Less frightening than 76% of films.
Is We All Fall Down violent? Barely. Less violent than 76% of films.
Is We All Fall Down sad? Yes. More sad than 75% of films.
Does We All Fall Down end with hope? Not especially. Less hopeful than 64% of films.
Is We All Fall Down easy watching? Somewhat. More comforting than 60% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

63/ 100