
Late Autumn
True love knows no stranger.
Directed by Kim Tae-yong
Produced by North by Northwest Entertainment, SCS Entertainment
A tender, melancholic romance between two damaged strangers who find unexpected solace and connection during a brief, transformative three-day journey.
Anna learns in prison that her mother has passed away in Seattle. Prison officials grants Anna a three day furlough to attend her mother's funeral. Anna embarks on a long trip to Seattle. Hoon is a Korean immigrant who works as a gigolo. Hoon is now on the run from a wealthy client's furious husband. These two seemingly lost souls are about to share three memorable days together.
Clusters
Questions people ask
Is Late Autumn sad? Yes. More sad than 82% of films.
Is Late Autumn violent? Not especially. Less violent than 74% of films.
Is Late Autumn easy watching? Somewhat. More comforting than 72% of films.
Is Late Autumn scary? Not especially. Less frightening than 65% of films.
Does Late Autumn end with hope? Somewhat. More hopeful than 65% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Late Autumn
Nearest across the full emotional profile.
Same Mood as Late Autumn
Nearest on what's most distinctive about this one.
Like Late Autumn, But Darker
Similar, pushed toward heavier and more intense.
Like Late Autumn, But Lighter
Similar, pushed toward warmer and easier.
Like Late Autumn, But Less Popular
Same territory, far fewer people have seen it.



























































