
Palmetto
In a town this bad, it's no use being good.
Directed by Volker Schlöndorff
Produced by Castle Rock Entertainment, Rialto Films
A neo-noir crime thriller about a desperate ex-con drawn into an elaborate con that spirals beyond his control, built on paranoia, deception, and the corrupting allure of easy money.
After being released from prison on a bum charge, Harry Barber is out for payback to regain his lost two years. He's hired by Mrs. Malroux to fake the kidnapping of her stepdaughter (the daughter of a dying millionaire). He discovers that he is being set up on multiple levels and will soon face a longer sentence if he doesn't prove the truth.
Clusters
Questions people ask
Does Palmetto end with hope? Barely. Less hopeful than 83% of films.
Is Palmetto easy watching? Not especially. Less comforting than 74% of films.
Is Palmetto scary? Somewhat. More frightening than 61% of films.
Is Palmetto sad? About average. Almost exactly mid-range.
Is Palmetto violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Palmetto
Nearest across the full emotional profile.
Same Mood as Palmetto
Nearest on what's most distinctive about this one.
Like Palmetto, But Darker
Similar, pushed toward heavier and more intense.
Like Palmetto, But Lighter
Similar, pushed toward warmer and easier.
Like Palmetto, But Less Popular
Same territory, far fewer people have seen it.



























































